Dave Helmly Head of Global Digital Audio/Video at Adobe Systems demos the top features coming in the next release for Adobe Creative Cloud in Premiere Pro.
Some of the things Dave shows us is the new Workflows including the new Proxies. He explains that it's really helpful for all the newer high resolution workflows where the timeline gets longer it may make sense to switch to proxies. Also this will really help if you are on a lesser powered machine like a mobile laptop or one with a less capable graphics card this is for you.
Also Lumetri has been updated and HSL Secondaries have been added. Now it will be much easier to create a key and change specific colors like he demos on the gentleman's jacket how easy it is now to turn it into whatever color you desire with very little effort thanks to this new addition. Another huge addition is control surface support. Now the Tangent panels like the wave, or the element will be supported. I am testing this now and have to say...this is so awesome..! Also a big announcement is the new Tangent Ripple which comes to market at a USD price of only $350 is incredible. I got to see Robbie Carman in the Adobe Booth at NABShow demoing the use of the Ripple controlling the Lumetri panel and as he said to the audience...watch me step away from the computer so you can see that I'm not using the mouse or keyboard to control the Lumetri panel.
Another cool company being shown for control surface support as well is a new company to me called Palette Gear. What is really unique about their product is that it's modular. You can build up as few or as many lil I'll call pod pieces from programmable knobs, buttons to sliders they can all be mapped to certain functions in your nle, audio application, or other various applications that can support Palette. I'd like to take a closer look at this in the future.
Captions gets a big improvement as well. Dave shows us how is and capable it is. Changing colors, various fonts supported, all very dynamic.
VR or 360 video is uber big all over NABShow this year. Nearly everywhere you looked you could find something to do with VR. Adobe also has some support for VR. Some of the new capabilities will allow you to bring in your 360 or VR video stitched and be able to change the views from 4:3 to wide views, zoom around, or put on glasses and really get immersed into the Virtual Reality. Also support for 3rd Party plugins like Mettle for example.
Lastly Dave shows us the new Media Encoder options for exports which also include a new VR option.
As you can see Adobe is always improving their already very capable nle with more professionals switching to Premiere and Big Hollywood movies like Gone Girl, Hail Caesar, and Deadpool all heavily used Adobe products to create those films it's no wonder we are getting some really amazing updates.
Looking forward for you all to start enjoying the new features.
Here's a video with Dave Helmly in the Adobe Booth at NABShow 2016..!
A video on the Pallete Gear control surfaces that are now supported in Premiere and other Adobe apps..!
Below is a shot of the $350 Tangent Ripple that was on display in the Adobe NABShow Booth..!
VR and Premiere Pro with Mettle Skybox 360/VR Tools..!
I'm very excited to once again get the opportunity to shoot with Dave Helmly..! If you are not familiar with Dave's Adobe Blog I highly recommend you check it out...full of useful tips, tricks, reviews and just the latest buzz going on at Adobe for the Media and Entertainment Industry.
In the video Dave will highlight some of the most exciting additions to Premiere Pro CC. Big plus is having better color tools right inside of Premiere Pro. Think Photoshop or even Lightroom looks like it was integrated in the new Creative Panel. The editor is becoming more are more than just an editor. Clients want to see that Log file or ruff cut with a color grade or correction via a Look or LUT right away. With the new tools being added to Premiere the editor will be able to get the client a look very fast.
Also very cool is the new Adobe Hue CC(previously called 'Project Candy'). It's a super easy to use but amazing functional addition to the Cloud. Now you can be anywhere and take a sample or samples from a photo or video clip and sample on the fly colors in the image and it will build a Look or LUT that can be used in Premiere Pro CC.
There is also another awesome feature called Morph Cut which Dave has his son Skip being interviewed and has a pause and takes a breath. Well it's not always easy to cut out such clip since you typically want the audio but need to cut out the pause or breath etc. Dave shows you how in seconds he is able to Morph the clips together rebuilding frames so the cut is seemless and the audio is retained to save the shot. This is sure to help you fix a lot of potentially unusable clips like in the interview with skip.
Finally there's some great Media Encoder additions for with one I'll mention called Time Tuner. What a great addition to Morph Cut to be able to not just clean up problem shots with new frames retaining the audio but taking a step further. The client says of shoot we added a commercial we need to squeeze the clip by 30 seconds or even a minute. Well with the new Time Tuner you can actually create a new duration length by taking areas of your footage with not much movement for example and it will do something kinda like removing frames that are not needed to rebuild the duration shortened to the length you need. It's definitely one I'll have to try just to see how this could help me save my cut in the future without having to go back and edit the clip. How cool is that..!
So check out the video below for a better walk through some of the great new features coming to the Cloud..!